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Acadian: Thanks for the advice. The assassinations are emotionless because well…Riden simply doesn’t care about the targets so far…but just wait.
Oh, I wasn't talking about Riden's reactions to killing. I was talking about the readers' reaction. The assassin, during his days of 'researching' his target can provide objective observations that develop the character of the target. Only if the target comes to life, will the reader care if they die - if that makes sense. Three examples, assuming that Riden will be practicing his profession in the future:
1. Do Riden's cool, trained observations of his target's words and deeds reveal the mark to be a spoiled young Dunmer who beats his horse, cheats merchants, curses at beggers and laments the fact that he cannot buy an Argonian as a slave in Cyrodiil? A silent blade on a dark night as he bleeds out on the cobblestones will elicit a reaction from the reader.
2. Is the target a middle-aged balding Breton who runs a store? Does he work hard every day and give a break to regular customers who have fallen on hard times? Does he let his stock boy go home early one day because it is the boy's birthday? Does he close up shop and take a small bunch of flowers home to his wife every night? One night, as his wife opens the door to greet him, an arrow pierces his back and flowers fill the air as his lifeless body lurches into the arms of his screaming widow. She falls to the ground, cradling his head and wailing loudly. That will elicit a reaction from the reader.
3. For a bizarre twist, take example two above and add the following: The widow looks up from the corpse of her husband and, with tearless eyes, she scans the empty rooftops across the deserted street. The corner of her mouth lifts into a smile as she says quietly, "Thank you assassin. Well worth the price." That will elicit a reaction from the reader.
Note that Riden's reaction or emotions do not even come into play here. Those are an entirely different matter.
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Ok, on to the newest episode. This one was fun. I liked meeting Tess. I felt a little rushed, particularly as Riden solved the invisibility mystery. It was 'nice' to see Riden take some damage, revealing some vulnerability. One would not necessarily expect an assassin to be the greatest toe-to-toe fighter, and an orc is a formidable foe.
You asked about introducing POV changes. It certainly has some possibilities. While not common, some writers maintain a base 1p POV and then branch into other 3p POVs for different scenes. mALX is quite good at this. The forum here is definitely a good place to try that and see how it works. 3p can allow you to get into the heads of different characters and opens a world of possibilities. An assassination from the POV of the victim? Delicious.
A couple tiny technonits:
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I rolled my eyes thinking if she greets all the customers with a excited voice as if they were her last.
I would change 'a' to 'an'.
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She shook her head as if she’s trying to get rid of a distant memory, “No…I just feel a bit anxious about Jongeron’s arrival.”
You changed tense in the middle of the first sentence. Perhaps simply, 'She shook her head, as if trying to get rid of a distant memory, No…'
Arrgghh! I need to reduce the length of my comments.
